Sunday, April 25, 2010

New Social Networking Improvements from FateBook

Important: This is a social networking alert, brought to you by the good folks at FateBook.

Great news guys. Starting today, for your increased convenience, we here at FateBook will be sending your Social Security number, a photocopy of your driver's license, close ups of that identifying birthmark, and the current addresses of your last four lovers to the owners of any websites you happen to visit, as well as all the people who have visited those sites in the last 6 years and their yorkshire terriers.

We will also be automatically forwarding all incriminating photos (online or not) of you getting inebriated to any and all prospective employers, so they can see what a fun-loving person you are. Hell, in fact, any sites you just THINK about clicking on are gonna get your info.

We hope these ongoing "tweaks" will streamline and enrich your FB experience. If you want to be a little bitch and opt out of these defaults, simply go to "settings" then punch "options," before clicking on the smaller-than-a proton "opt out" tab and the "I'm a little bitch" button.

Then, frantically un-click as many of the 8,475 boxes as you possibly can before your PC freezes up (conveniently) and you have to try and re-do the whole damn thing, only so we can override your selections anyway when we roll out the next batch of privacy invas--- er, improvements.

Remember, our goal here at Fatebook is to facilitate your online experience and make it more rewarding for YOU! (while trying to figure out some damn way to make this furshlugginer thing profitable already - Krist! You think we give a crap you just ate a ham on rye sandwich???)

Sincerely,  FateBook

(P.S. Click here to tell us how much you "like" these improvements!)

(P.P.S. Come on, you KNOW we're gonna get that info somehow - why don't you just give in now and make it easy on all of us?)

Wednesday, April 21, 2010

A Chat with Songwriter/Musician Andy J. Gallagher

Borrowed from our sister site, Tune Tipster

If you're one of the many who've completely given up on rock and roll, truly convinced that the days of aggressive but melodic songcraft are well behind us, then I strongly recommend you check out Andy J. Gallagher.

Weaned on a well-balanced diet of 70's glam and punk rock, Mr. Gallagher, armed only with his new CD, "Helicopter, Dolphin, Submarine," (out now on Waga Waga Records) seems hell-bent on rescuing the masses from whatever boring band your hipster friends are all raving about this month.

Tune Tipster was fortunate enough to land this short Q&A with the up and coming rocker, who graciously allowed us to pick his brain about songwriting, recording, and how David Bowie keeps nicking all the best ideas.

TT: Hello sir! Very nice to speak to you. We've been listening to your music for months and enjoying it immensely.

A: Cool, cool. Thanks for your support.

TT: The first thing I'd like to ask, does songwriting come easy to you, or is it hard work?

Andy: Songwriting, it comes easy to you at times, other times i just can't do it. I seem to go in 3 song spurts; in two days I sat down and wrote "The Rocks," "Faster and Faster," and "Another Craze."

TT: And what's the quickest you've ever written a song?

Andy: The quickest songs I've ever written are "Helicopter, Dolphin, Submarine" and "Faster and Faster." They both took roughly ten minutes. For "Helicopter, Dolphin, Submarine," I maybe actually had to add lyrics later on - I was singing the same verse twice - but the song was pretty much in place and I just added the lyrics later on.

TT: What was the particular inspiration for the title track, "Helicopter, Dolphin, Submarine"?

Andy: I wrote HDS at a flat in the west end of London. I was fairly drunk one night, strumming around on an acoustic guitar and I had this melody in my head and I couldn't remember if it was a Radiohead melody or not...and I decided it wasn't so I wrote a song around it! That was that; it just went together simply.

TT: That is annoying when you think you've written someone else's song.

Andy: I've done that millions of times. Anything Ray Davies writes, I've written four times.

TT: (Laughs) You always, think, "OH I've GOT IT! I've got   
the biggest song of all time!" and then you think, "Oh...Ray beat me to it."

Andy: By about 40 years or so... it's kind of

TT: Bastard!

Andy: (Laughs) Indeed. David Bowie normally beats me. Another one of my best ideas turned out to be a section of a Bowie song from "Hunky Dory" or something... They get kind of ingrained, don't they?

TT: Which brings me to the next thing I was going to ask: If you were pushed into a corner and had to pick one songwriting hero who would it be?

Andy: I really, really, REALLY like - from your neck of the woods - the Ramones. They're probably my all time favorite band. Dee Dee Ramone was obviously the main songwriter, and Joey wrote some as well. My favorite ARTIST is David Bowie, but I also like Lou Reed, from the Velvet Underground through to maybe the Berlin album... Favorite all-time songwriter if I had to name one... (pauses) David Bowie.

TT: I can definitely hear how you mix those influences. There's an intellectual leaning to the lyrics, but you still have the primal quality of someone like the Ramones...

Andy: When I originally wrote "Faster and Faster" it was a lot slower... It was going to be the main track from MY "Low" (David Bowie) album. So I gave it to my drummer, and by the time he was done revving it up, there was no chance it was gonna be on "Low." It was gonna be on "Rocket to Russia" (Ramones) instead!      

TT: I would imagine the arrangements change a lot from when you start to the finished product. You worked with Roman Jugg (former guitarist/keyboardist of the Damned) for this album, were there any situations where he wanted to change the arrangement of a song, or...?

A: When you let someone like Roman produce you, you've got to let him produce you. Whatever they say they want to do, however much you think, "That's gonna ruin my song!" you have to let them try and do it. And I think Roman has some real flashes of genius in terms of the structures. For example, in "Something Else" there was a whole load of choruses going on at the end. And he said, "Look, you need to get rid of those, 'cause it's going on too long." He took 'em out, and just threw in a key change... originally the outro was in b minor and he changed it to e minor and then cut about a minute off the song. I think that arrangement just made the song work. Also, Roman co-wrote "The Men in Suits." The little "A" bit, the lead guitar bit, was just a whole key change... that's his. He wrote that. And while that doesn't make the song necessarily, it really lifts the song at a crucial moment. Some of the stuff Roman told me… Roman's a very, very clever man. You don't spend 10 years in the Damned and not learn anything, do you?

TT: I would think not. Were there any other songs you had to streamline for the album?

A: The only song anything came off in terms of length was "Something Else." Everything else is as I write it. When I'm writing, I've got to say what I've got to say, and once I've said it, there's no point in saying anything else. The song's finished. If you look at "Faster and Faster" for example, it's one minute and 28 seconds, and yet, it's got 4 verses and a lead break. I mean, how much more can you cram into a song? I don't get all this... like Fleetwood Mac... going on for 25 minutes stuff. That's not for me for me. I'm probably not a competent enough musician to do that anyway.

TT: Well, I don't know about that! The last thing I want to ask you is, are you ever surprised by which songs connect with people? Was there ever one that you loved that didn't really resonate with people, or vice versa, something that you said, "Oh, this isn't the best thing I've ever written" and people went gaga over it?

A: Normally, MY favorite song is the last song I wrote. I play it for people and go, "I want you to hear this! I've just re-invented rock and roll!" And they listen and go, "No, that's rubbish, Andy. It's terrible! Get back to the drawing board!" (Laughs) When [I] VERY first hear them, [I] think, "That's amazing!" …There's such a long period between when you actually record the songs to when you actually get the physical CD that by the time you listen to them you're kind of underwhelmed. When you get the finished version, you're kind of not happy with it, because you had this idea in your head of how it's going to sound. But then you get the enthusiasm of people that are hearing them maybe for the first time, and people tell me how wonderful this song is or how cool that song is, rather than me telling THEM which is how it starts. When I write 'em, I tell everyone else how cool they are, and then six months down the road when they're finally ready people tell me how cool they are!

TT: After playing it so many times I would imagine it's hard to be objective about anything.

A: Yeah. My favorite song on the album changes from day to day. I don't listen to it every day, but whenever I listen, I've had a different favorite song. Probably the one song that is most surprising is "The Brightest Star." That's my drummer's favorite song, and I thought it was kind of weak, that one. As you know, my drummer's quite a powerful drummer...

TT: And that song is more ballad-like.

A: Yeah, and that's his favorite song! I kinda prefer the more uptempo ones.

TT: So what would your favorite be right now?

A: There's always two…"Faster and Faster" or "The Men in Suits."

TT: Nice. I see you're playing gigs through May, so hopefully some of our readers will get a chance to hear those tracks live. Well, we really appreciate you taking the time to talk to us, Andy, and best of luck with the album. Have a great night.

A: And you too mate. Thanks very much.

Check out Andy J. Gallagher's website by clicking here!